Page 24 - Port Douglas Magazine 34
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Pete West filming on the Great Barrier Reef          Crew on location
          While the new studios will doubtless give producers another reason   Pete, a diver by trade, and Louise, a marine biologist, set up in shop on
          to choose Far North Queensland as a location, this unique and   Macrossan Street in 1992. Originally trading as the National Underwater
          spectacular part of the world has long been a favoured destination of   Marine Agency (NUMA), the business was conceived to service film
          filmmakers far and wide.                             and television companies arriving in town.
          Just wrapped at Mission Beach is Irreverent – a Matchbox Pictures   “Our  core  business  was  to  provide  location  and  film  coordination
          drama series about a crook who poses as the new reverend in a small   services for the Port Douglas area, and particularly the Great Barrier
          reef town. Other recent productions in the Far North include the UK’s   Reef,”  explains  Pete.  “Plus  we  provide  the  support  services,  such
          number one Netflix hit This Little Love of Mine in Palm Cove, and the   as  hiring  boats  and  equipment  —  cameras,  underwater  housings,
          Network Ten series Dive Club in Port Douglas. They’re just the latest   underwater lighting.”
          in a long and illustrious list of Australian and international productions   The couple soon realised there was a niche market for specialist work
          such as the rom com Fools Gold, starring Kate Hudson (2008) and the   on the Barrier Reef that others couldn’t afford to do for themselves.
          Oscar-nominated war drama The Thin Red Line (1998), both shot on
          location in and around Port Douglas.                 “You  can’t  bring  a  team  out  here  and  sit  for  weeks  on  the  Reef  to
          Playing  a  key  role  in  each  of  these  productions  is  Karen  Jones,   get one shot,” says Pete. “We’ve had decades of experience in highly
                                                               specialised  work,  and  have  developed  techniques  over  the  years  in
          director of Kite Fish Film in Cairns. Kite Fish provides services for the   underwater photography, understanding the marine science and the
          film industry from recommending and scouting locations to providing   techniques. We started Bioquest Productions six years ago, basically
          logistics reports and procuring permits.             doing  that  task  for  marine  research  companies,  and  film  and  TV
          “There’s a lot of paperwork!” says Karen. “I came here from New Zealand   production companies all over the world.”
          with the idea that I’d live on a boat, go fishing and eat coconuts. I’m   Testament  to  their  expertise  is  the  projects  they’ve  worked  on  with
          still dreaming.”                                     natural historian and broadcaster Sir David Attenborough, from Blue
          Karen says the hands-down number one reason Port Douglas and its   Planet in 2001 to last year’s Life In Colour.
          surrounds is such a draw for filmmakers is its incredible and diverse   With all this film action going on, it’s perhaps not surprising that Port
          scenery. And it’s not just dramas and features — our pristine waterfalls,   Douglas has its own annual film festival. The first Port Shorts was held
          swaying cane fields and iconic palm-fringed beaches also get more   in 2002 at the Clink Theatre, with five sittings attended by curious locals
          than  their  share  of  big  brand  advertising  campaigns,  among  them   in one night.
          Country  Road,  Herbal  Essence,  Myer,  Optus,  Pantene,  Qantas  and
          XXXX Gold.
          “It’s the diversity that people are after,” says Karen. “Here, you can go
          from rainforest to rolling hills to beach in a matter of minutes. And it’s   “Port Douglas is the perfect place for a film company
          all within easy reach of the airport, so it’s easy to fly in and fly out. In a
          lot of places now, the urban sprawl means you have to go further and   to come on location,” says Pete West. “It’s set up for
          further afield to find the isolation you need, but careful town planning
          has meant Port Douglas remains a great option for filming.”  tourism, which means it’s set up for film crews”
          Karen hopes Screen Queensland Studios Cairns will encourage more
          homegrown productions, so the Far North isn’t reliant on interstate and
          international business.
          “On all our projects, we have opportunities for people who are keen to   “The  atmosphere  was  amazing,”  says  festival  director  Ali  George.
          get a foot in the door. More local productions would act as a training   “We had a DJ playing at the outside bar all night, and the last show
          ground for local people to learn and upskill from entry level roles. That   screened at midnight.”
          way, we’d have experienced local crew on the ground, and that in turn   By 2015, with support from the Douglas Shire Council, the festival had
          will encourage others to come here to film.”         morphed into a national event, with producer Matt Hearn (Wolf Creek,
          One hyper-local recent production is Puff: Wonders of the Reef, released   Rogue) on board as an ambassador, and Stephen Curry (Hounds of
          worldwide on December 16. Narrated by Kate Winslet, it follows the   Love, The Castle) front of house. In 2018, Port Shorts moved to its
          adventures  of  a  baby  pufferfish  as  he  travels  through  a  wondrous   current open-air location in Rex Smeal Park, with films screened on
          microworld  full  of  fantastical  creatures,  as  he  searches  for  a  home   a giant 25 metre screen. “It was a magical evening,” says Ali. “Crystal
          on the Great Barrier Reef. The film — Netflix’s first Original Australian   clear, with the backdrop of palm trees, and just as it was about to start,
          documentary — was made by Bioquest, a production company run by   the full moon rose up out of the water. You couldn’t have scripted it.”
          Port Douglas cinematographers Pete West and Louise Polain.
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